Haruomi Hosono-Regar les flors

 

Haroumi Hosono,es molt conegut dins la escena pop Japonesa.

Compositor de molts estils durant la seva carrera,comença als 60´s,amb un grup de folk-rock,The Happy End.

Als 80´s,va ser el bajista de la coneguda banda de synth-pop,Yellow Magic Orchestra,amb Ryuichi Sakamoto (Teclats), i Yukihiro Takahashi.

Més tard edita varios albums,experimentan amb  synth-pop com “Philharmony”(1982).

Altre faceta seva va ser,compositor de bandas sonoras “Paradise view”(85),”Cochin Moon”(78),”The Tale of Gengi”(87),incorporan sintetitzadors i música electrónica ambient,en nous projectes com al célebre álbum “Omni sight seeing”(89).

El segell US,Light in the Attic, a re-editat 5 albums en solitari del artista i per primer cop fora del Japón.

Al 1984,rep l’encàrrec de escriure música per ambientar las botigas de la cadena de alimentació i paperería Muji.

Haruomi Hosono花に水 (Watering A Flower), 1984 Cassette

01.Talking

02.Growth

03. Talking  (BGM Version)

04. Talking

05. Growth

06. Muji (Original BGM)

El artwork de la casete,es obra del artista ikko-tanaka,que va ser director artístic de Muji.

Haruomi Hosono – 花に水 (Watering A Flower),casete in WAV 16 bits

La casete original, eran només tres temas electrónics de 15 minuts,de ambiente drone e interpretats amb sintetiçadors.

La cadena Muji va triar només “Muji  Orig. BMG“,que era la més indicada.

Hosono tenía una idea molt singular del seu Paradis personal,i als temas “Talking” i “Growth“,son una referencia a “Parlar”,i fer “creixer” les flors,en un contexte espiritual i paisajistic.

Mort Garson– Mother Earth’s Plantasia

Garson, músic de sesión i compositor,va ser un dels primers en tocar el sintetizador modular Moog.

El disc “Mother Earth’s Plantasia de Mort Garson té molts punts de conexió amb el disc de Hosono.

No va sortir a la venta,sino que era un regal donat per la compra de una planta a la botiga Mother Earth de Los Angeles.

Aquest es un disc de culte,en música electrónica i ambient.

Plantasia,i la afició per la botánica tenen un origen al llibre The Secret life of Plants,on mes tard Steve Wonder va editar un disc .

A1 Plantasia

A2 Symphony For A Spider Plant

A3 Baby’s Tears Blues

A4 Ode To An African Violet

A5 Concerto For Philodendron & Pothos

B1 Rhapsody In Green

B2 Swingin’ Spathiphyllums

B3 You Don’t Have To Walk A Begonia

B4 A Mellow Mood For Maidenhair

B5 Music To Soo the The Savage Snake Plant

Un ripeo de vinil,de un disc no editat de las masters originals.

Mort Garson– Mother Earth’s Plantasia(76)US.Re.(2019)Sacred Bones in WAV 16 bits

Hosono / Yokoo ‎– Cochin Moon

 

 

 

 

 

 

 

Tracklist

Hotel Malabar

A1 Ground Floor… Triangle Circuit On The Sea-Forest 2:36

A2 Upper Floor… Moving Triangle 8:42

A3 Roof Garden… Revel Attack 9:00

B1 Hepatitis 4:37

B2 Hum Ghar Sajan 8:54

B3 Madam Consul General Of Madras 8:04

Hosono / Yokoo ‎– Cochin Moon(78) Re.Unnoficial counterfeit(2015) 16-44 in WAV 16 bits

Haruomi Hosono ‎– Philharmony  

 

  1. Picnic 1:52
  2. Funiculi Funicura 4:31
  3. Luminescent / Hotaru 4:22
  4. Platonic 4:20
  5. In Limbo 2:25
  6. Living-Dining-Kitchen 3:46
  7. Birthday Party 3:51
  8. Sports Men 4:02
  9. Philharmony 3:22
  10. Air-Condition 4:23

 

Haruomi Hosono ‎– Philharmony wav 16-44 16-44 in WAV 16 bits

Un extracte del próxim documental sobre la carrera de Haruomi Hosono,per al 50 th. aniversari com a músic.

No Smoking (2019) – IMDbDocumentary 

HOSONO HOUSE

 

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Eyeless In Gaza,UK New Wave band earliest days

Pioners of the Synth/Electronic bands I followed the band,purchase their lps and went to the gig concerts,too.

In 1980, after releasing some experimental/industrial DIY tapes,Martyn Bates formed Eyeless In Gaza with Peter Becker .

Exploring experimental/Electronic territories from filmic ambience/atmos to rock, the duo start with several albums on Cherry Red records,

– “Photographs as Memories” (Cherry Red BRED 13, Jan 30 1981, Lp)

-“Caught in Flux/The Eyes of Beautiful Losers” (Cherry Red BRED 18/12 BRED 18, Sept 1981, Lp/Ep12”)

-“Drumming the Beating Heart “(Cherry Red BRED 36, July 30 1982, Lp)

Here it´s a live recording from this early style,sourced from a cassette tape.

Eyeless in Gaza-Developing Negatives,11-04-1981

Cassette recorded in WAV 16 bits

A lot of experimentation,atmospheric moody landscapes,Martyn Bates voice sings property but in very high tone,point me as close to other UK PostPunk/New Wave bands,like Joy Division,Cabaret Voltaire,or Durrutti Column.

“Rust Red September”,it´s an important change of Eyeless in Gaza history,as it is.
It´s damned good ,and the music gets more pop feeling,moved away from the early electronic dark synth,albums debut.

Becker´s ability with keyboards and arrangements,mades an synth/pop album,without been easy listening.
Them,Eyeless in Gaza albums of the 80´s are fundamental,of their whole discography.

Here it´s a live recording from this evolution to more pop oriented style,recorded “on air” from a cassette on Wav 16 bits audio.

 

 

 

 

 

 

 

Eyeless in Gaza-Live at Zeleste,11-04-1985

Cassette recorded in WAV 16 bits

After finishing this live concert,we say hello to the band and a friend asked amazing to Martyn Bates,why they changed to a pop style,and Martyn replies than now gets more sucesfull sales,and Cherry Red records could release more albums,so.

https://www.eyelessingaza.com/sonichistory.html
https://www.cherryred.co.uk/?s=eyeless+in+gaza&post_type=product

I can do recordings to be transfered in digital source

the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.

I have submitted masters to record labels and released digitizations with quite good dynamics.

If you have a piece of vintage audio that you would like digitized,please contact me.

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The Moving Sidewalks-Flash(68),vinyl rip

The Moving Sidewalks-Flash(68)IT.Re. 2lp s/side etched (2000)Akarma Re.Flac 24-96

That´s an Akarma label lp reissue,from vinyl rip source.

A1 Flashback 4:46

A2 Scoun Da Be 2:08

A3 You Make Me Shake 3:05

A4 You Don’t Know The Life 3:56

A5 Pluto-Sept. 31st. 5:13

B1 No Good To Cry 4:33

B2 Crimson Witch 3:06

B3 Joe Blues 7:38

B4 Eclipse 3:37

B5 Reclipse 2:30

Bonus Tracks

C1 99th Floor 2:18

C2 What Are You Doing To Do 2:29

C3 I Want To Hold Your Hand 3:21

C4 Need Me 2:14

C5 Every Night A New Surprise 2:58

Ripping info:

Hardware

RCM:Okki Nokki Record cleaning machine

Hifi racks stands:Artesania Audio

TT:Clearaudio Ovation

TONEARM:SME 309

CARTRIDGE:Shelter 301 MC.

PHONO PRE AMP.:Lehmann Audio Decade

ADC/DAC: Prism Sound Lyra 1

Connections:Rca Rega couple2

Software

Recorded in flac 24-92 with Adobe Audition CC 2014 with an IMac

Sound Forge Pro 14:Low declick,Gain.

Izotope RX 8:Declik process

 

 

http://www.filefactory.com/file/33e0tj68h4a4/TMS-F.part1.rar

http://www.filefactory.com/file/6uksqkhbhnoa/TMS-F.part2.rar

http://www.filefactory.com/file/24um4dl086pc/TMS-F.part3.rar

Pass:digital

 

 

I can do recordings to be transfered in digital source

the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.

I have submitted masters to record labels and released digitizations with quite good dynamics.

If you have a piece of vintage audio that you would like digitized,please contact me.

These are several audio formats,compressed and uncompressed,from the same song taken from  this lp reissue,A1.”Flashback”.

 

A1.”Flashback”

CD recorded in WAV 16 bit

A1.”Flashback”

CD LOUDNESS recorded in WAV 16 bit

A1.”Flashback”

FLAC 24 bits

A1.”Flashback”

WAV 24 bits

A1.”Flashback”

WAV 24 BITS PROCESS

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Massive world industry of Bootleg vinyl labels nowadays

Bootleg record labels,like Radioactive,Audioclarity,Magic Box…..

With the growth in the sale of vinyl,new record labels have re-emerged in the record market.

The genre of psychedelic and underground music from the 60´s and 70´s,made thousands of albums than many collectors, dealers and distributors liked to do the reissues so much .

Most bands don´t know where the mastertapes are after 50 years or very often they have recorded an album, made 50 or 100 testpressings to get attention from label and radiostations,but the record doesn´t get enough demant,so the producer or the studios lost the master tapes,and nowadays only are available those test pressings and original lps,than could get high collector value in the second hand market,and are the only music source to made a reissue lp.

1.Manufacturing a new vinyl

Audio source is sent to an audio enginer than does a lathe disc,with a manual

cutting machine.The vinyl factory will made the new vinyls,using this lathe disc,on a

pressing vinyl plant. In fact,the vinyl factory have a pre-mastering department,than also does the lathe cut disc.

Them,after printing a new cover and packing,the new vinyl release,is ready to sell in 100 to 500 units,limited quantities.

 

 

 

 

 

 

2.Rights licenses

Paying a copyright and licensing,allows the record label get the master to release a new reissue lp.

All the people involving on the production of the record (artist,song writers,record label),receive a percentage of royalties payment.

 

3.Unofficial record labels

An unofficial or bootleg record label, are those who don´t pay licensing rights.

Firstly,musicians and relates,don´t get any money for their record.

Secondly,as this bootleg label doesn´t get the original master tape,or a test pressing,in both,used as a master, a cd cut tape or a bad vinyl rip,source.

That means,a bootleg lp doesn´t have the Trademark of Quality.

Bad master tape and not pre-mastering for vinyl,photocopied and pixeled covers artwork,bad labels

print,thin sleeve,and cheapest vinyl pressing(not centered label,warped,noisy,and without matrix numbers detail).

There are two kinds of unofficial records,a ”Counterfeit” tries to replicate the original,

and the second fake,is the ”bootleg” due to the different sleeve packaging.

 

List of bootleg of psychedelic rock lps,releases


 

4.Conclusion

Personally,I should wait a few years for a legal pressing better than purchase a bootleg lp.

I see problems on both sides,the official record labels which are not interested to reissue the album,and doesn´t want to sell licenses,and bootlegs labels than if they paid licenses,do a good reissue lp with TDQ standards quality,them,doesn´t get enough benefits.

Record shops and websites,must named on the description of the lp,than the record for sale is unofficial,even the best thing is to block for sale.

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The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

Style: Psychedelic rock,funky/pop

Unusual psychedelic US band,The Glitterhouse came from New York rather than California.
“Color blind”,is an underrated album.
The first side competed with the best psychedelic British bands(July,Kaleidoscope,Tomorrow).
An absolute blowing mind,songs like open A side track,”Tinkerbell´s Mind”,or “Princess of the Gingerland”….
The second side of “Color Blind” drops most of the psychedelic touches,and offers more easy listening funky/pop material.
A bad choice with the producer of the album,perhaps.

This is a vinyl rip.A recording sourced from vinyl and transfer in WAV 24 bit format from anolog to digital archive.
As you could check listen to the next files,the sound will be superior than cds,and it´s great if you want to made a vinyl reissue
or stock your vinyls on digital archives.
Please,contact with us,to vinyl rips as your needs.

The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

A1 Tinkerbell’s Mind


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

A2 Princess Of The Gingerland


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

A3 Sassafrass And Cinnamon


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

A4 Child Of Darkness (Journey Of A Child Traveler)


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

B1 I Lost Me A Friend


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

B2 Times Are Getting Hard


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

B3 Where Have You Been Hiding?


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

B4 Hey Woman


The Glitterhouse- Color Blind(68)US.Orig.Dynovoice Stereo 24-96

B5 Happy To Have You Here Again


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Ray Columbus And The Invaders-Every Nite(63)NZ.Orig.Zodiac WAV 24-96

This is a vinyl rip.A recording sourced from vinyl and transfer in WAV 24 bit format from anolog to digital archive.
As you could check listen to the next files,the sound will be superior than cds,and it´s great if you want to made a vinyl reissue
or stock your vinyls on digital archives.
Please,contact with us,to vinyl rips as your needs.

https://www.discogs.com/Ray-Columbus-And-The-Invaders-Every-Nite/release/1023770

Rock & Roll,Garage Rock,Surf Music.

Ray Columbus & the Invaders were a rock group from Christchurch,New Zealand that was active from 1964 to 1966, fronted by the lead vocalist,Ray Columbus.
Influenced by the early 1960s work of Cliff Richard and The Beatles.
On 1965,they toured Roy Orbison and Rolling Stones,during their New Zeland gig.
Leader Ray Columbus later moved to the US where he founded a California psychedelic band,The Art Collection.

During his time in California (1966-68),played with Gene Clark,David Crosby,or The Monkeys.
Columbus went on to become a band manager.
Billy Kristian played bass guitar for the Invaders; he later joined the Keil Isles,a native New Zeland based rock´n´roll,band.

Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A1 Everynight


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A2 Once Upon A Time


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A3 The Cruel Sea


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A4 I Think Of You


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A5 Spanish Holiday


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A6 Shakin’ All Over


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

A7 Theme From Doctor No (James Bond Theme)


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B1 Poison Ivy


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B2 Willie And The Hand Jive


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B3 Autumn Leaves


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B4 That’s All I Want From You


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B5 Yes Indeed


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B6 Jimmy Jumps


Ray Columbus And The Invaders – Every Nite(63)NZ.Orig.Zodiac WAV 24-96

B7 On My Mind


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The Chemistry Set English psychedelic band

English psychedelic band,from London,The Chemistry Set got started back in 1987 recording a home cassette,and made some flexi disc for several fanzines.

Earlies demo,published only on a cassette tape.,The Chemistry Set (1988)

The Chemistry Set – “Love Will Always Disappear” MP3.


Their music style is between Brit neo-Psych,in Robyn Hitchcock,The Barracudas and
the 60´s American garage bands,Electric Prunes,Standells,13 th Floor Elevators…
Getting a John Peel airplay show,recorded an studio album but not happy with the production,they never published the album.
Toured on the UK, Europe and US before splitting in the 90s,and then kick starting again in 2008.

Beyond the Wildwood-A tribute to Syd Barrett

See Emily Play – The Chemistry Set

Dave Mclean and Paul Lake,released five 7″ singles on Fruits de Mer records. In 2016,they made a new lp,“The Endless More And More” that draw on a variety of Psychedelic and Rock ‘n’ Roll influences…

Spanish RADIO-3, El Sótano – The Chemistry Set; orfebrería psicodélica – 11/02/16

“The canyon of the crescent moon “(grabación acústica exclusiva para El Sótano).

-The Chemistry Set-Live at Cellar Bar, 04-08-19

Last year during the summer festival in Cardigan´s.
The 17 th. dream of Dr.Sardonicus Festival,present an England neo-psychedelic band,The Chemistry Set.
A brilliant live acoustic set,with The Love cover song,”A house is not a motel”,and songs from their last Fruits de Mer lp,“The Endless More And More”.

-Interview at Pizza Tipi bar,after the live concert 17 th dream at Celar Bar,Cardigan´s 04-08-19.

Dave Mclean and Paul Lake,founders of the England psychedelics The Chemistry set,talk about earlies times,after their live acoustic set during the 17th. dream of Dr.Sardonicus festival,in Cardigan.

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The early days of The Bevis Frond,write by Nick himself

The following article is about the early days of the Bevis Frond.,wrote by Nick himself on his own fanzine Ptolemaic Terrascope

The Bevis Frond Museum 1968-1969

I started to play the guitar at seven,in 1967 I learn to play the guitar,listening Jimi and Eric.
I spend months at my bedroom learning “Fresh Cream”,”Are you Experienced?”,with a second hand white guitar and a half dead Watkins Westminster amplifier,purchased by five pounds.
I saw this year a live concert of Stones and Yardbirds.The next think was to find a band.

Bill O´Brian,was a really good drummer,and display his ability with a pretty expensive kit.
My mate Ray Flores could play the guitar,so I persuaded him to get a bass.
Them,I invited Steve Webber to play with us,he played organ for a extreme psychedelic band called the Geranium Pond who gigged at places like the UFO.
One day,coming home from school,I meet Julian Temple,later a film producer,and he suggested the Bevis Frond Museum name,for the band.
We have dispensed the idea of having a lead singer,and I was nominated the person to do the vocals.
Ray and I,purchased a 30 watts amplifier and speakers in Edwards road,so we started gigging at youth clubs and dancings,around NW London.
I was 15 years old and couldn´t drive,so we have to wear all the gear to the venues on public transport.
I remember rightly our set,include the following songs:Hey Joe,Sunshine of your love,Foxy Lady…
Very few places re-booked us,and it was clear that we weren´t going to play The Marquee,or the Roundhouse,or anywhere.
So the Bevis Frond Museum,was no more.

Oddsocks,Folk band

Nick leaves London,and went to live to Waymouth when he knows a girl friend.
A room mate Gerald Claridge,played in acoustic folk duo calls Oddsocks.
He promoted a gig headline by Mike Absalon.
I performed three acoustic numbers;”Flying High”(Country Joe & The Fish-Electric Music),
an own song,”A pearl in Hades”,and ending with a strange version of “Johnny B. Goode”.
Gerard asked me to play just for special occasions with Oddsocks band.

Oddsocks-Men of the moment”(75) lp Folk,country style.

The Von Trap Family

In early 1979,we thought to get a gig,as we got decent songs and endthusiasm,but things don´t goes like it.
We handling our four songs demo and visited the main venues in London,and had a few support with promoters,and played in Rock Garden,Camdem town…
Also,we received several proposal to get a contract and record an EP,too.
In 1980,we formed Woronzow label,a Street name next to a street of St. Johnns Wood,were Kev,Mark and I had grown up.
A couple of useful demos were recorded,and the first single was edited in Woronzow,label.
Only,”No reflexes”,was keep from the Von Trap days.
Gigs weren´t easy to find,and the band disbanded.

The Von Trap Family – Brand New Thrill W001(1980)

The Bevis Frond

All beginnings are difficult,home recordings in a four track studio,own label,and even a fanzine.
Nick Saloman started to made his albums on their own Woronzow label…”I will never put money before music”.
“It depends on the continous support to mantein the label on”.
“It seems the relation with major European distributors was broken,due to some amount owed”.“Also,some distributors didn´t paid the records by cash on delivery”.

Bevis Frond have produced over the last decades,many records likely to come to perfection in “rock” music.
Nick Saloman is a “Sargeant Pepper”,and every album he realise,could be better done than previous.
He had done “Miasma”, to “Inner Masrshland”,taking to “In through the looking glass”,Acid Jam”,“The aunty Winnie album”,”Any gas faster”,on early 90´s.
With that psychedelic guitar feedback,and great lyrics-songs,some of the words,are pure poetry.

“Inner Marshland”(87)US.Re.Reckless(88),WAV 24-96

“Defoliation part I-II”
This is the most lysergic album of all BF releases.


“We’re Your Friends,Man”(2018)UK.Orig.2lps Fire rec.WAV 24-96

“You´re on your own”
Last BF album,a lysergic Free-Jam at the end song.


Bevis Frond-The 17th Dream of Dr Sardonicus Festival,Live at Cellar Bar,Cardigan,Walles,Augost 9th 2019.
An amazing live concert with an extended long version of “Superseded”,and ”Reflections in a Tall mirror”(from “Inner Marshland”,lp).
Last track,is a great acoustic guitar´s song.

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This Heat-Deceit(81)UK.Re.These Records(88)24-96

This Heat-Deceit(81)UK.LP Reissue(88)

Experimental rock band from Camberwell,on south of London town.

In 1976,Charles Hayward (Drums) of Gong and Phil Manzanera (Quiet Sun),joined with Charles Bullen (Guitar),and Gareth Williams (Bass/Keyboard),to form This Heat.
Both worlds here,some tracks relates to Canterbury and progressive rock,while others are in art-punk style like Wire band.
The trio experimented with tapes,and percussive squals of noise.

Also,played a few sessions on the legendary BBC John Peel program.

“Deceit” is their 2nd album,and this edition is a DMM pressing,with a stunning DR15!!.

Tracklist

A1 Sleep 2:14
A2 Paper Hats 6:02
A3 Triumph 2:55
A4 S.P.Q.R. 3:28
A5 Cenotaph 4:39
B1 Shrinkwrap 1:40
B2 Radio Prague 2:21
B3 Makeshift Swahili 4:04
B4 Independence 3:42
B5 A New Kind Of Water 4:57
B6 Hi Baku Shyo (Suffer Bomb Disease) 4:03

I have vinyl riped both sides in wav,24 bit source.

Some vinyl rip comments here,

Many many thanks,for this great post!!

Awesome,thank you so much for a rip of this classic album!!

Great album.You´re killing it.

This Heat-Deceit(81)UK.Re.(88) LP

Side A


This Heat-Deceit(81)UK.Re.(88) LP

Side B


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Groundhogs-Thank Christ For The Bomb(70)US.first edition Liberty Gat.24-96

Groundhogs-Thank Christ For The Bomb,Orig. US,lp

British Delta-blues band formed in 1963.
The band´s name cames from a John Lee Hooker,”Groundhog Blues”,song.
Members:Tony McPhee (guitar,vocals),Pete Cruickshank (bass),Ken Pustelnik (drums).
Musically speaking,the first 3 lps credited to Groundhogs and Tony McPhee,are a much light shining,for the high level of keyboards,electric guitar and drums.
These musicians,beats many of contemporary 70´s blues rock bands.
About this 3rd album,is quite more progressive than their previous classic blues rock,works.
The title album,is a summary of a protest-folk about WWII.

Play it loud,astonish McPhee guitar solos,he is the British equivalent to Hendrix.

Tracklist

A1 Strange Town 4:16
A2 Darkness Is No Friend 2:43
A3 Soldier 4:51
A4 Thank Christ For The Bomb 7:15
B1 Ship On The Ocean 3:27
B2 Garden 5:10
B3 Status People 3:32
B4 Rich Man, Poor Man 3:25
B5 Eccentric Man 4:53

Some comments about this vinyl rip,in WAV format,

-“Looks amazing.I would buy it based on the cover.Thanks for the preview!”

-“Thank you.It looks like I can retire my old United Artist/Sunset reissue”.

-“Wow,Thank you!,I was just thinking a few days ago,how it´s a shame nobody has ripped an original pressing of this one”.

-“Play it loud,astonish guitar solos.
I can strong agree with that!
Thanks for the Groundhogs”.

Groundhogs-Thank Christ For The Bomb. US lp.

Side A


Groundhogs-Thank Christ For The Bomb. US lp.

Side B


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