Video documental-entrevista : “Els concerts un esdeveniment apassionant” (Part 2)
On entrevistem a directius i promotors,dels principals esdeveniments musicals al nostre pais.
Albert Mallol- Director Portaferrada Festival,Narcis Puig-Director artistic Festival Temporada Alta,
Oriol Aguila- Director Festival Castell de Perelada,Peter Florence- Sostenibility European Festival Association,Summit Arts Festival,European Festival Association EFA (2023-Girona),
-Part 2,inclou una nova entrevista de 20 minuts de durada amb Lluis Torrents,director de la SalaRazzmatazz a Barcelona, i President de l´Associació de Sales de Concerts de Catalunya.
-Part 3,entrevisto a Romy Masferrer que es va casar amb el Jordi Tarda l´any 1977,es periodista a Catalunya Radio i productora musical.La entrevista es un homenatge a Jordi Tarda i Castells (1955-2015),
col.leccionista musical de rock,promotor,periodista,escriptor,locutor de radio,i organitzador de Exposicions i Firas del disc a Barcelona,i Girona.
El guió es:
La Promoció de concerts
Com reduir les emisions de carbono,i quins son els diferents plans de accions per un entorno adecuat de sostenibilitat,i medi ambient.
Aquest dvd ,es un video documental, “Anecdotari de Dalí “ (114 minuts de durada),on entrevisto a Andreu Català Roca,Daniel Regas,Angel Perez,Jordi Batiste,Jordi Segura,Joan Gaspart,Lluís Llongueras, Carlos Martorell,Xavi Castillon,BD Arts Editions….entre altres.
Cada un explica una anécdota del gran artista del segle XX,Salvador Dalí.
També es un homenatge al empresari de la nit Oriol Regas,i la discoteca Maddox.
El documental comença amb la histórica actuació del Beatles al any 1965,el escenari eran dos plaças de braus(Madrid i Barcelona),sota la dictadura de la Espanya de Franco,i termina amb una curta versió acústica dels Beatles“I should have known better”,interpretada per Jordi Batiste.
Descriu la explosió de conjuntsye-yés durant els anys 60´s,el declive de la música Pop i sicodélica al any 1968 tras els inicis del rock Progressiu a Catalunya,i finalment,els viatjes de molts joves a la paradisiaca illa d´Eivissa, buscan novas experiencias.
El rock com a moviment social i cultural,es ple de vivencias personals,i aquesta música es la banda sonora de moltes generacions.
Gracies a, Joan Gaspart i Solves,Pere Gené,Jordi Sierra I Fabra,Xavi Castillon,Jaume Garcia,Jordi Batiste,Mercé Riba,Ramón Moreno,i Carlos Martorell…per participar en aquest documental,i a tots els conjunts que van fer posible aquesta década única.
Nick Cave & the Bad Seeds,Live at Darupvej,Roskilde,Denmark,30 June,1990
Tour :The Good Son
Nick Cave: Vocals,Piano,Organ Hammond,Harmonica Mick Harvey: Bass,acoustic guitar,backing vocals Blixa Bargeld: Guitar Thomas Wydler: Drums
Setlist
The Witness Song
I’m Gonna Kill That Woman (John Lee Hooker cover)
The Weeping Song
Deanna
The Carny
The Ship Song
The Good Son
“The Good Son” album,took its title from the biblical story of Cain and Abel.
On “the weeping song”,you could listen a duo vocals with Cave and Blixa Bargeld,he also performance with Einstürzende Neubauten,German rock band.
Stronger guitar and bluessy are quite common on The Bad Seeds,and it could be found on:“The Witness song”,and “The Good Son”.
Cave’s voice is particularly strong and dominates the record,marked by the constant presence of piano,Hammond organ,and orchestrations.
It´s source from a vintage VHS tape,and recording from Catalan TV,1990.
Audio restoration: Post editing audio,to set higher.
My set up,is:
JVC video player HR S7500E,Prism Sound Lyra 1 Analog/Digital conversor,Izotope RX8 audio editor software,Final cut Pro,video editor software.
Live at the Main Point, Pennsylvania,,USAFebruary 5th, 1975
Aquesta es una versió en doble vinil, que va ser grabada directament del concert emés per la radio WMMR-FM l´ 5 de febrer de 1975, 2 horas després de la actuació en directe.
Desafortunadament,se escoltan alguns sorolls e interferencias,asi com clicks,encara que aquest vinil no perd el seu interés coleccionista.
El titol del lp,es tret de un anunci vintage de la Texaco Oil Co.
Com anécdota de aquesta grabació, Springsteen no volia que fos emés per la radio,perque tocaba varias varias demos que sortirian probablement al seu próxim disc, ”Born to Run”.
Va ser l´estrena de “Thunder Road”(al disc,”Wings for Wheels”),”Back in The USA”,i
“Mountain of Love”.També unas versions de “Born to Run”,“Jungleland”,i una gran versió de Dylan,”I want You”.
El concert de Main Point captura 2 de las millors etapas,nou material del álbum “Born to run”,i primeras cançons com “Kitty´s Back”,o “New York City serenade”.
A la radio van posar 18 cançons,que era tot el setlist del concert,aquest concert senser va ser editat en format CD,mentras que la versió en vinil,es una part.
La durada del concert es de uns impresionants 160 minuts,i es considerat un dels millors concerts de Springsteen.
El concert va ser editat en vinils piratas i cintas,als mitjans dels 70s.
Temas:
Side One: Incident on 57th Street / Mountain Of Love / Born To Love
Side Two: E Street Shuffle / Thunder Road / I Want You
Side Three: Spirit In The Night / She’s The One / Blinded By The Light / Saint In The City
Side Four: Jungleland / Kitty’s Back
BRUCE SPRINGSTEEN- YOU CAN TRUST YOUR CAR TO THE MAN WHO WEARS THE STAR,2 LPs WAV 16
La versió “bootleg” editada en format CD,es:
Bruce Springsteen and the E Street Band -The Prodigal Son at the Main Point,05-02-75 ,3 cds
Disc One: (1:15:24)
101. Incident On 57th Street (10:34) 102. Mountain Of Love (3:21) 103. Born To Run (4:47) 104. Intro E Street Shuffle (5:17) 105. E Street Shuffle (7:40) 106. Wings For Wheels (Thunder Road) (6:27)107. I Want You (7:00) 108. Spirit In The Night (6:19) 109. She’s The One (6:30)110. Growin’ Up (3:25) 111. It’s Hard To Be A Saint In The City (4:08) 112. Jungleland (9:50)
The Prodigal Son at the Main Point,CD1
JEMS M+
Disc Two: (1:02:42 )
201. Kitty’s Back (12:13) 202. DJ Chatter (0:53) 203. New York City Serenade (18:12) 204. Shout Outs (2:01) 205. Rosalita (Come Out Tonight) (12:18) 206. Intro to 4th of July, Asbury Park (Sandy) (2:15) 207. 4th of July, Asbury Park (Sandy) (6:46) 208. A Love So Fine (8:02)
The Prodigal Son at the Main Point,CD2
JEMS M+
Disc Three (23:20 )
301. Intro to For You (1:25) 302. For You (Solo Piano) (8:06) 303. Back in the USA (8:04) 304. Closing DJ Comments (0:28)
Total Show (2:36:10)
BONUS TRACKS (CBS Studio Demo 1986-06-21)
305. 4th of July, Asbury Park (Sandy) (6:42) 306. Rosalita (Come Out Tonight) (10:57) 307. A Love So Fine (7:45)
Bonus Tracks (25:23)
The Prodigal Son at the Main Point,CD3
The Production Team
Pre Production: Wayne ‘Boom’ Darlington
Mixed by: Flynn
Artwork Design: Schoolhouse Rd.
Producer: Oats
Notes: From Brucebase:
The complete show was broadcast and the above-noted 18-song setlist represents the entire concert. Not only is it one of the longest (160 minutes) single-show gigs up to this point but it’s
one of the most compelling performances of Springsteen’s entire career. There are spellbinding renditions of “Incident On 57th Street”, “New York City Serenade” and “For You”
(in the solo piano arrangement), the earliest known performances of “Mountain Of Love” and “Thunder Road” (with work-in-progress “Wings For Wheels” title/lyrics) plus a wild, majestic
version of Chuck Berry’s “Back In The U.S.A.”. “Rosalita (Come Out Tonight)” includes a snippet of “Theme From Shaft” in the midsection. Contrary to myth the police siren heard at the
conclusion of ìIncident On 57th Streetî is an audio prop that had been utilized at a few of Bruceís shows just prior to this one, i.e. it was not a real vehicle.
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
Hi han diferents versions de “Music for Airports” venudes d’aquest álbum ambient,cds remasteritçats i altres formats digitals,pro la versió master a mitja velocitat d’Abbey Road i editada en 2 lps,és la edició més autentica d’escoltar en aquest viatge ambiental d’Eno.
En el espectograma,podem observar als colors solits i estables en las imatges de estereo.
El disc sona tan obert i tan fresc,que val la pena pagar més per aquesta versió superior en vinil.
Un procés de Half speed mastering consisteix en,
– Transferencia en digital a partir de cintas maestras originals,amb un reproductor de bobinas Ampex.
– Captura del audio en wav 24/192
– Post-producció:Reparar els clics,i aplicar de-esing amb les veus per evitar sibilances en el posterior prensatje.
– Edició del acetato: máquina de tall Neumann Lathe Machine,amplificador Riaa i filtre.
– Velocitat de tall : Tallat a mitja velocitat de master
Al grabar el acetat a una velocitat de 45 rpm,hi há més informació que pasa per la agulla per segons que no pas a 33 rpm,de manera que las guitarras,el baix,la veu,i la bateria…. tot sona molt més net.
La mitja velocitat del proces mastering,és amb diferencia,la manera més precisa per produir un acetato.
A continuació editar un vinil doble a 45 rpm, es el millor que pots aconseguir en els registres.
El problema de un presupost tan elevat,es que encareix aquestas edicions de luxe,i llavors a las discograficas independents no li surten als números per editar discos de alta qualitat.
També,no hi han ingeniers de audio per produir vinils a half mastering,perque als més valorats,traballen per estudis de gravació i grans multinacionals discograficas.
Ambient 1,Music for Airports-Brian Eno 2LPS (Half Speed Mastering),WAV 24 DR12
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
Joe Meek productor de discos,músic,ingenier de só,i compositor inglés,era un pioner en prácticas de grabació com la sobregrabació,muestreix i reverberació.
El single instrumental de The Tornados “Telstar” (1962), escrit i produit per Meek,es el primer disc de un grup de rock británic,com a número 1,en el Hot 100 de Estats Units .
A més produeix música per películas com “Live It. ¡Arriba!”(1963),amb temática musical i pop.
El álbum conceptual de Meek “I Hear a New World “(1960),era molt innovador per als efectes electrónics.
Meek es reconegut com el millor productor de tots los temps por NME ,“Meek es un gran pioner,amb novas ideas per la búsqueda del só perfecte.Va deixar un gran legat sobre molta música pop actual “
Joe Meek – The Joe Meek Story(77) UK.Orig. Decca 2lp Wav 16-44
Tracklist
A1 Mike Berry & The Outlaws– My Baby Doll
A2 Don Charles– Walk With Me My Angel
A3 Peter Jay & The Jaywalkers– Can Can 62
A4 Tony Victor– There Was A Time
A5 Don Charles– Guess That’s The Way It Goes
A6 Tornados– Telstar
B1 Tornados– Dreamin’ On A Cloud
B2 Screaming Lord Sutch– Jack The Ripper
B3 Don Charles– Angel Of Love
B4 Roger LaVern & The Microns– Christmas Stocking
B5 Freddie Starr & The Midnighters– Who Told You?
B6 Sounds Incorporated– Keep Moving
C1 Tornados– All The Stars In The Sky
C2 Heinz– Dreams Do Come True
C3 Pamela Blue– My Friend Bobby
C4 Screaming Lord Sutch– Monster In Black Tights
C5 Heinz– Country Boy
C6 Peter Jay & The Jaywalkers– Totem Pole
D1 Tornados– Life On Venus
D2 Heinz– Just Like Eddie
D3 Davy Kaye– In My Way
D4 Saxons– Saxon Warcry
D5 Millionaires– Wishing Well
D6 The Cryin’ Shames– Please Stay
Joe Meek – The Joe Meek Story(77),16-44 WAV,16 bits
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
John Ferdinando-English Folk rock,multi-instrumentalist
These are a very rare gem Psychedelic folk lps,and I recommend to anyone who enjoys,early 70´s acoustic Floyd,Giles and Fripp,and those than never heard this stuff.
–Mushroom -Early One Morning(73) Ger.Reissue LP,Little Wing Of Refugees(92),wav 16-44
Tracklist A1 Early One Morning A2 Liothdün A3 Crying A4 Unborn Child A5 Johnny The Jumper B1 Potters Wheel B2 Standing Alone B3 Devil Among The Tailore B4 Tenpenny Piece B5 Drowsey Maggie B6 King Of Alba
Credits
Bass, Twelve-String Guitar, Vocals -Alan Brown
Guitar, Recorder, Tin Whistle, Vocals – Aonghus McAnally
Organ, Harpsichord, Synthesizer [Moog], Vocals – Michael Power
Percussion, Bodhr·n, Wind Chimes, Chimes [Wood], Vocals- Colm Lynch
Violin, Mandolin [Electric], Vocals – Pat Collins
Mushroom -Early One Morning,16-44 WAV,16 bits
Mellow Candle – Swaddling Songs(72) Tapestry Records,Unnoficial,later reissue LP,Wav 16-44
Notes:A great hight quality heavy duty paste print,on gatefold cover.
Tracklist A1 Heaven Heath A2 Sheep Season A3 Silversong A4 The Poet And The Witch A5 Messenger Birds A6 Dan The Wing B1 Reverend Sisters B2 Break Your Token B3 Buy Or Beware B4 Vile Excesses B5 Lonely Man B6 Boulders On My GraveCredits
Credits
Bass, Vocals – Frank Boylan
Electric Guitar, Acoustic Guitar, Vocals – David Williams
Illustration – David Anstey
Percussion – William A. Murray
Vocals – Alison Williams
Vocals, Piano – Clodagh Simonds
Mellow Candle – Swaddling Songs,16-44 WAV,16 bits
Peter Howell & John Ferdinando – Alice Through The Looking Glass(69)UK.Re.Tenth Planet(97) Wav 16-44
Tracklist A1 Alice Theme A2 March Of The Chessmen A3 Jabberwocky A4 Dance Of The Talking Flowers A5 Alice’s Train Journey A6 Through The Looking Glass Wood B1 Dum And Dee B2 The Walrus And The Carpenter B3 Alice Meets The Night B4 A-Sitting On The Gate B5 Her Majesty Queen Alice B6 Whose Dream?
Credits
Composed By – Peter Howell
Performer,recorded By – John Ferdinando, Peter Howell
Peter Howell & John Ferdinando-Alice Through The Looking Glass,16-44 WAV,16 bits
Ithaca -A Game For All Who Know UK.Re.(73)Background(92) Wav 16-44
Tracklist A1 Journey (Destruction – Rebirth – Patterns Of Life) A2 Questions (Did You Know – Will We Be Alive) A3 Times (Seven Seasons – The Path – Given Time) B1 Feelings (Look Around – I Want To Feel You) B2 Dreams (Story Of Our Time – Beneath This Sky) B3 Journey II (A Game For All Who Know)
Credits
Drums – Brian Hussey (tracks: A1, A3, B2, B3)
Guitar [12-string Guitar] – Martin Garrett
Guitar [Classical Guitar] – Robert Ferdinando (tracks: A1)
Guitar, Piano, Organ, Mandolin, Percussion, Recorder, Effects [Tape Effects]- Peter Howell
Timpani – Andrew Lowcock
Voice [The Female Voice] – Lee Menelaus
Written-by,Guitar,Vocals,Bass,Organ,Harp- John Ferdinando
Image Maker Bull Run Cry My Little Darling Lady Smith Village Green The Crimp Christmas 1914 The Fens Guernica World War II Concrete Imjin She’s A Bad Girl The Wizard Tell Me Why Conclusion
Shuttah- The Image Maker Vol.1 & 2,16-44 WAV,16 bits
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
Grups desconeguts per al aficionat,ya que als originals eran prensatges independents de tiradas molt limitadas.
Els nous segells indies son propietats de grans coleccionistas de discos de rock que coneixen el escenari de la música.
Els estils de rock sicodelic i progressiu son dels anys 60´s-70´s,i durant aquesta época,es van editar milers de discos.
Es tota aquesta música,que es molt interesant,per als coleccionistas i segells independents que volen editar novas reedicions en lp.
Brian Hulitt propietari del segell indie,negocia amb els grups la nova reedició de un LP .Son edicions limitadas de 500 copias,llavors paga els drets de copyright,i regala unas cuantes copias dels lps,als músics.
La producció del lp la encarrega a la fábrica de vinils,y quan rep la nova reedició,distribueix las copias del vinil a botigas de discos,i coleccionistas a través del seu web.
-The City Blues “Blues For Lawrence Street”(67)US.Re. VOID56 (2015)
Reedició de 500 copias en LP,de un grup de Blues Psych de SF,en 1967.
Tracklist
A1 I’m In A Groovy Mood
A2 Blues For Lawrence Street
A3 Steal My Chickens
A4 Goin’ To New York
A5 All Blues
B1 You Gotta Help Me
B2 Goin’ Down To The River
B3 Smokestack Lightning
The City Blues “Blues For Lawrence Street”(67)US.Re. VOID56 (2015) wav 16-44
The City Blues – All Blues
-MAD FABLES “GET OFF”(77)US.Re. VOID62 (2021)
Reedició de un álbum de West Coast/blues,I country rock ,de New Jersey,similar a los Dead,i Allman Brothers,original de 1977.
The Third Estate – Years Before The Wine(76)US.Re. VOID TTE1000 (2006)
Grup de West Coast,de Louisiana.Disc Original de 1976.LMTD 500 COPIES.
Tracklist
A1 Years Before The Wine
A2 Useless Things
A3 Look At Me
B1 Kings
B2 Puppet City
B3 Think It’s Time
B4 The Third Estate
-The Third Estate – Years Before The Wine(76)US.Re. VOID TTE1000 (2006) wav 16-44
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
The Tea Company – Come And Have Some Tea With The Tea Company (68)US.Orig.Smash Records WAV 16-44 DR10
Tracklist A1 Come And Have Some Tea With Me A2 Flowers A3 Love Could Make The World Go Round B1 You Keep Me Hangin’ On B2 Don’t Make Waves (Water Sound Effects) B3 As I Have Seen You Upon The Wall B4 Make Love, Not War
The Tea Company – Come And Have Some Tea With The Tea Company (68)US.Orig.Smash Records WAV 16-44 DR10 WAV,16 bits
Strawberry Alarm Clock – Incense And Peppermints(67)US.Orig.UNI,Stereo WAV 16-44 DR17
Tracklist A1 The World’s On Fire A2 Birds In My Tree A3 Lost To Live A4 Strawberries Mean Love B1 Rainy Day Mushroom Pillow B2 Paxton’s Back Street Carnival B3 Hummin’ Happy B4 Pas Time With Sac (Instrumental) B5 Incense And Peppermints B6 Unwind With The Clock
Strawberry Alarm Clock – Incense And Peppermints(67)US.Orig.UNI,Stereo WAV 16-44 DR17
Nirvana– The Story Of Simon Simopath(67)US.Re.Bell (2014),WAV 16-44 DR12
Tracklist
Act I
A1 Wings Of Love
A2 Lonely Boy
A3 We Can Help You
A4 Satellite Jockey
A5 In The Courtyard Of The Stars
A6 I Believe In Magic
A7 Life Ain’t Easy
Act II
B1 You Are Just The One
B2 Pentecost Hotel
B3 I Never Had A Love Like This Before
B4 Take This Hand
B5 1999
B6 Feelin’ Shattered
B7 Requiem To John Coltrane
Nirvana– The Story Of Simon Simopath(67)US.Re.Bell (2014),WAV 16-44 DR12
KAK – Kak(69)SP.Re.Mad About Guerssen(2019),Clear WAV 16-44 DR13
Tracklist
A1 HCO 97658
A2 Everything’s Changing
A3 Electric Sailor
A4 Disbelievin’
A5 I’ve Got Time
A6 Flowing By
B1 Bryte ‘N’ Clear Day
Trieulogy
B2a (I) Golgotha
B2b (II) Mirage
B2c (III) Rain
B3 Lemonaide Kid
KAK – Kak(69)SP.Re.Mad About Guerssen(2019),Clear WAV 16-44 DR13
Chocolate Watch Band – No Way Out(67)US.Re.Sundazed Music(2009) wav 16-44 DR13
Tracklist
A1 Let’s Talk About Girls
A2 In The Midnight Hour
A3 Come On
A4 Dark Side Of The Mushroom
A5 Hot Dusty Road
B1 Are You Gonna Be There (At The Love Inn)
B2 Gone And Passed By
B3 No Way Out
B4 Expo 2000
B5 Gossamer Wings
Chocolate Watch Band – No Way Out(67)US.Re.Sundazed Music(2009) wav 16-44 DR13
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
Disc One: (1:15:24)
