Performers: Don Van Vliet: lead vocals, harmonica, bass marimba Alex St. Clair Snouffer: guitar Jerry Handley: bass guitar Ry Cooder: guitar; bass on 8 & 11 John French: drums, percussion
Reedició vintage USA dels 70´s.
En aquesta versió Stereo Mix,surt un canal amb la veu i als ritmes de la percussió amb més volumen,logran un efecte molt més psicodélic.
Grabació de un vinil en format digital,audio en WAV 16 bits.
Nota:Nova grabació,per ajuste de parámetres del previ de phono.Aquesta grabació actual millora en dinámica la anterior,i amb menys soroll de fons.
Tracklist
A1 Sure ‘Nuff ‘N Yes I Do 2:10 A2 Zig Zag Wanderer 2:35 A3 Call On Me 3:10 A4 Dropout Boogie 2:20 A5 I’m Glad 3:22 A6 Electricity 3:00
Captain Beefheart And His Magic Band – Safe As Milk(67)US.Re.(73)Buddah WAV 16-44 (Cara A) in WAV 16 bits
Captain Beefheart And His Magic Band – Safe As Milk(67)US.Re.(73)Buddah WAV 16-44 (Cara B) in WAV 16 bits
Si tens a la colecció vinils raros,originals i dificils de trobar,puc digitalitçar
als LPS,amb un só molt superior a las reedicions d´ara.
Molts segells discográfics,editan reedicions sense fer un adecuat pre masters process,i aixó significa perdida en dinámica,i destrucció de audio,per únicament estalviar diners en la producció de un vinil.
Notes
“Take Your Headphones. Private Use. All Rights Reserved. Cosmic News.”
No more info on cover.
Note:
Surely the oddity in the Kosmische Kuriere saga, this was a very, very limited sampler originally released in 1974, devised to introduce Rolf-Ulrich Kaiser’s troupe to the US Market. Very much like “Gilles Zeitschift”, it took fragments of various Cosmic Couriers records and sessions, editing, mixing and splicing them up with spoken messages weird sound effects and even some classical music into a psychedelic headtrip! For sure, one of the most obscure and sought after releases from the krautrock scene. Don’t miss it! Limited to 300 vinyl copies only with handmade cover (including wax seal!) and also includes a 50 X 70 colour poster.. “
Various-Take Your Headphones(74)RE.Bootleg lp,White label,Unofficial Release(2007),LP in WAV 16 bits
1. Chain Reaction 0:00 2. Bel Air 23:03 3. Dizzy Dizzy 41:19 4. Mother Sky 52:54 5. One More Night 1:05:48
This is a Can classic´s live stoned jam,from the bootleg album “Future Days and Past Nights”.
Source recorded from the mixing desk.
Can-Live at Essex Univ.,17-05-75 in WAV 16 bits
Can – Soundtracks (70) FR.Reissue(80) Celluloid WAV 16-44
Tracklist
A1 Deadlock 3:25 A2 Tango Whiskyman 4:02 A3 Deadlock 1:40 A4 Don’t Turn The Light On,Leave Me Alone 3:42 A5 Soul Desert 3:46 B1 Mother Sky 14:30 B2 She Brings The Rain 4:04
Credits
Arranged By, Producer by The Can Bass – Holger Czukay
Design – Albert Leuthenmayr Organ -Irmin Schmidt Percussion, Flute – Jaki Liebezeit Vocals – Damo Suzuki (tracks: A1, A2, A4, B1) Michael Karoli-guitar
Notes
A selection of title songs and soundtracks from five movies for which Can wrote the music: Tracks A1 to A3 from the movie “Deadlock” by Roland Klick (recorded August 1970). Track A4 from the movie “Cream” by Leonidas Capitanos (recorded June 1970). Track A5 from the movie “Medchen mit Gewalt” by Roger Fritz (recorded December 1969). Track B1 from the movie “Deep End” by Jercy Skolimovsky (recorded July 1970).Track B2 from the movie “Bottom” by Thomas Schamoni (recorded November 1969).Recorded at Inner Space Studios.
“Mother sky” song,is a 14 minutes lisergic trip.It´s hipnotic and devastation.The song starts with Jaki Liebezeit perfect hit the drums,them Czukay on bass and Karoli reaching the skyes on guitar solo´s,
Damo sings like a shaman and Irmin on Keyboards,are a whole rhythm than insinuates you as fear and pleasure at the same time.
This song is eternal and atemporal masterpiece,after 50 years,is still on.
Can´s music is a lisergic trip.Into Avant-garde genre,as Schmidt and Czukay when formed
Can band,thought to mix avant-garde with rock music.
Neu,Can on Kraut style,were the pionering of Space rock and New Wave bands,like Happy Mondays,The Fall,Jesus and Mary Chain,later Sonic Youth or post-rock like Loop or the new progressive like The Mars Volta.
A vinyl Rip
Can – “Soundtracks”(70)FR.Reissue(80)Celluloid WAV 16-44 in WAV 16 bits (Face A)
Can – “Soundtracks”(70)FR.Reissue(80)Celluloid WAV 16-44 in WAV 16 bits (Face B)
Steve Reich-“Music for 18 musician”(78)US.Orig. ECM
Digital vinyl transfer in WAV 16 bits
Minimalist American composer,was inspired in Oriental and African music.
Reich studied percussion based in classical school,learn tambor in Ghana University,and music of Bali,too.
Talking about the experience of recording one of earlies works,Piano Phase”(1967) “The process is playing the same piece on two pianos,but one with slight delay in relation to the other”.
About,”New York Counterpoint” piece ofthis live concert,is a 1985 minimalist composition and intented to capture the throbbing vibrancy of Manhattan,mixed electronic sounds with acoustic instrumentation.
Steve Reich – Drumming /Music For Mallet Instruments,Voices And Organ/Six Pianos (74)GER.Orig. Deutsche Grammophon 3LP
-Tracklist,
Drumming A Part I
B Part II
C Part III
D Part IV
Six Pianos E Six Pianos
Music For Mallet Instruments,Voices And Organ F Music For Mallet Instruments,Voices And Organ
Recorded in Hamburg (Rahlstedt), Musikstudio 1, January 1974.
Steve Reich – Drumming /Music For Mallet Instruments,Voices And Organ/Six Pianos (74)3LPS,16-44 WAV,16 bits
Steve Reich – Kronos Quartet / Pat Metheny – Different Trains / Electric Counterpoint(89)CAN.Orig. Elektra Nonesuch LP
-Tracklist,
Different Trains A1 Kronos Quartet- America – Before The War A2 Kronos Quartet- Europe – During The War A3 Kronos Quartet- After The War
Electric Counterpoint B1 Pat Metheny- Fast B2 Pat Metheny- Slow B3 Pat Metheny- Fast
“Different Trains” composed 1988, recorded digitally August 31 – September 9, 1988 at Russian Hill Recording, San Francisco.
“Electric Counterpoint” composed 1987, recorded digitally September 26 – October 1, 1987 at Power Station, New York City.
Steve Reich – Kronos Quartet / Pat Metheny – Different Trains / Electric Counterpoint(89)LP, Wav 16-44
Steve Reich- IV Festival de Otoño,Casa Cultura Majadahonda (1987)
Concert en directe de Steve Reich,(pianista i percussionista) representant de la música minimalista,a la Sala Olimpia de Madrid,dins del IV Festival de Tardor de la comunitat.
Reich,diu que la seva obra cerca la música oriental i l’africana.
Una de les peces es “Clapping music”,inspirada en “una nit de gresca andalusa a Bélgica”.”El palmeig del flamenc em va deixar tan sorprés que,malgrat haver begut força,va ser la idea per fer aquesta obra”.
El músic,comença estudian primé els clássics i després composició i percussió a New York,després va estudiar tambor a la universitat de Ghana,i també es va interessar per la música de Bali.
El ”procés de desfasament gradual”,no és res més que tocar amb dos pianos la mateixa peça,pro un amb un lleuger retard en relació amb l’altre”.
En les seves obres,col-loca la percussió al centre,ja que marca el tempo,i la corda als costats.
Steve Reich- IV festival de tardor 1987 TV-Video
Steve Reich-Live at Teatre L´Aliança,18-11-89
Live concert,cassette recorded “On air” in WAV 16 bits
Buzzcocks were one of most influential bands to emerge in the initial wave of punk rock.
Start band member´s, Pete Shelley – guitar, vocals,Steve Diggle – guitar, John Maher – drums,Howard Devoto-singer
Buzzcocks -Electric Circus & OGWT
(SOURCED from VHS video tape)
Electric Circus 2-11-77- “What do I get?”
OGWT 1978- “Sixteen again”,”Nothing left”
Pete Shelley -“Telephone Operator”
(SOURCED from VHS video tape) “Telephone Operator”,from Pete Shelley solo album ”XL1”.
Barry Adamson,mades synths effects playing bass on this track.
Pete Shelley-“XL.1”,not as good than their first solo album,“Homosapiens”,but still fun.
More dance pop than rock,with Martin Rushent’s (Human League,mega star of synth-pop producer),
Highlight tracks,than still have punk actitude,as “Telephone operator”,”If You Ask Me (I Won’t Say No)”,and “No one like you”.
Here,it´s “XL1” LP transfer to digital archive,in WAV 16 bits.
A1 Telephone Operator A2 If You Ask Me (I Won’t Say No) A3 What Was Heaven? A4 You Know Better Than I Know A5 Twilight
Pete Shelley – XL1 (83) UK. Genetic rec./Island rec.lp
Side A recorded in WAV 16 bits
B1 (Millions Of People) No One Like You B2 Many A Time B3 I Just Wanna Touch B4 You & I B5 XL 1 B6 ZX Spectrum Code
Notes
Track B6 is a computer program for the Sinclair ZX Spectrum which printed lyrics in time with the music and displayed graphics.
Pete Shelley – XL1 (83) UK. Genetic rec./Island rec.lp
A les seves composicions,li dona molta importancia al tractament de la veu,que interpreta amb veu de contratenor,acompanyat amb una Ensemble que toca música mediaval,amb coros clásics.Gaudeix cantant quan interpreta música.
Wim Mertens,actua amb piano i la seva veu en solitari,o amb un grup de ensemble.
Quan toca amb la Ensemble,la música es escrita en partitura,i molt dificil de interpretar per als coristas tal com ell vol.Traballa amb el Coro de la Radio i Televisió Belga,son 10 personas i canvia constantment de músics,per evolucionar cap a un estil que més l´ agrada al compositor.
Mertens,compositor de Flandes,rep una important acollida,quan actua al nostre pais.
Aquest concert en directe,va ser editat amb una cinta de video VHS,i hi há un cert desacoblament del video amb el audio.Així dons,edité també l´áudio sols,per si és millor.
Wim Mertens Ensemble Live a la estació de Perpinyá (1987)
Wim Mertens Ensemble Live a la estació de Perpinyá (1987)
in WAV 16 bits
On those earlies times with Boys Next Door,and Birthay Party,Nick Cave was acting on scene,like a possesed soul,it seems he mades a pacte with the devil.
While he was an heroin addict,it was a very dificult thing to substain an addiction.It just shows the desperation about been a junkie,and the issues than carries.
The post-punk music was great,played with good guitar musicians like Rowland S. Howard and Nick Harvey,and recorded memorable albums as Boys Next Door LP,and Birthay Party–“Prayers on fire” and “Junk Yard”.
The Boys Next Door-Hee Haw 12″ Missing Link,Australia (1983),12” in WAV 16 bits
Living in London,he was a friend of the Fall,and The Pop Group.
When drugs just gone,asked to Nick Harvey,if they should start to made a new band,The Bad Seeds .
In those times,left London and gone to live to Berlin.
He starts to play the piano,and sing good bluesy melodies,also writes a book,”And the ass saw the angel”
Meets with the artistic society in Berlin,the nightlife scene,and mades good friends and collaborators like Christian Emmerich,of Die Haut.
Made a really special songs and recorded new records with incredible music and soul good taste.
Nick is very talented and artist genius.
During those couple of year in Berlin,releases the next albums:“The Firstborn is dead”(Mute 1985), “Your funeral… my trail” (Mute 1986),“Kicking against the pricks” (Mute 1986),and “Tender Pray” (Mute1988).
Here it´s a documentary about the Berlin times,
–Nick Cave – Stranger in a Strange land [ 1987 VPRO Documentary ]
Also,a live concert,recorded with a cassette “On air”,in Barcelona from 1988.
Playing songs like,“The Mercy seat”,“Up jumped the devil”,”Mercy”,and other tracks from the “Tender Pray”,album.
Nick Cave-Zeleste,16-10-88
Cassette recorded “On air” in WAV 16 bits
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
16 Horsepower- Folklore(2004)NE.Orig.Volkoren WAV 16-44
Performer – David Eugene Edwards, Jean-Yves Tola, Pascal Humbert
First pressing on vinyl, strictly limited to 300 copies.
“Folklore”,is the Five album of 16 Horsepower.
The music seems affected by old folk styles,and white gospel.
The vocals of David Eugene Edwards shows,a wonderful sense of craft.
This is a landmark of alt-country genre,with the brooding of gothic tones.
The music wears the listener,to the depresion of deepest US rural states.
Tracklist
A1 Hutterite Mile
A2 Outlaw Song
A3 Blessed Persistence
A4 Alone And Forsaken
A5 Single Girl
16 Horsepower- Folklore,Side A,LP in WAV 16 bits
B1 Beyond The Pale
B2 Horse Head Fiddle
B3 Sinnerman
B4 Flutter
B5 La Robe A Parasol
16 Horsepower- Folklore,Side B,LP in WAV 16 bits
Calexico | Iron & Wine- In The Reins(2005)Touch and Go 12″ WAV 16-44
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
Teardrop´s love the psychedelic-pop,Krautrock,and space rock. Julian Cope solo albums,“Saint Julian”,“Peggy Suicide”...have commercial success overseas,and in the UK.
Cope wrote “Krautrocksampler”,a critically acclaimed guide to German space rock,“Japrocksampler”how the post-war Japanese blew their minds on rock n´roll,“Head-On” Memories of the Liverpool punk scene,and the story of the Teardrop Explodes.
A1 Wheelbarrow Man
A2 I Wandered Lonely As A Cloud
A3 Try Try Try
A4 Stone Circles ‘N’ You
A5 Queen/Mother
A6 I’m Your Daddy
Phase Two,LP in WAV 16 bits
B7 Highway To The Sun
B8 1995
B9 By The Light Of The Silbury Moon
B10 Adam & Eve Hit The Road
B11 Just Like Pooh Bear
Phase Three,LP in WAV 16 bits
C12 Girl-Call
C13 Greedhead Detector
C14 Don’t Take Roots
C15 Senile Get
C16 The Lonely Guy
Phase Four,LP in WAV 16 bits
D17 Cryingbabiessleeplessnights
D18 Leli B.
D19 Road Of Dreams
D20 When I Walk Through The Land Of Fear
Credits
Arranged By [Horns] – Lord Terry Edwards
Arranged By [Strings], Mixed By – Thighpaulsandra
Drums, Percussion – Rooster
Guitar – Moon-Eye
Guitar, Bass, Mellotron [400] – Julian H
Photography By – Jill Furmanovsky
Producer, Directed By- Julian Cope
Recorded By- Thighpaulsandra (tracks: A1 to B5, C2 to C5, D2 to D4)
Recorded By [Most Of] –Shaun Harvey (tracks: C1, D1)
Synthesizer, Piano – Thighpaulsandra
Written-By – Julian Cope
I can do recordings to be transfered in digital source
the most rare original pressings,are hard-to-find albums than often sound far superior to any reissues.Instead to pay an audio engineer,new labels use a quick mastering process than loose dynamics and destructive audio,to save money.
I have submitted masters to record labels and released digitizations with quite good dynamics.
If you have a piece of vintage audio that you would like digitized,please contact me.
Gábor Szabó va ser un dels més originals guitarristas que van surtir als 60´s,fusionan la música gitana Húngara,al folk-rock i al Jazz.
Szabo,forma un innovatiu quintet(1967-1969),liderat per al guitarrista clásic Jimmy Stewart,Piano-Gary McFarland,Baix-Louis Kabok,Bateria-Jim Keltner,que graban els millors albums “Bacchanal” (68)Skye Records,i “Dreams” (68) Skye Records,a més,incorporan versions folk rock “Ferris Wheel”,i ”Sunshine Superman” de Donovan,per fer una música més comercial.
La meva conexió amb la música de Szabo,va ser a la botiga de Jazz a Barcelona Fresh Sound Records,quan vaig promocionar a las firas del disc de Utrech i Brussels,als 2 lps que van editar,una reedició espectacular amb gravacions procedent de masters,i una molt cuidada doble portada de vinil impresa.
Al 1974,Szabo va tocar a l’estudi de la radio amb destacats representants del Jazz Hungarés.
En aquesta gravació,els músics que l´acompanyaven eran: Pege Aladár,Kőszegi Imre,Másik János(Piano)
Gravació de 2 Singles originals USA en format digital WAV 24 bits,
-Theme of Valley of the Dolls/Sunshine Superman US.Orig. SKYE 451 Single(68)
A.”Theme of Valley of the Dolls”,Single recorded in WAV 24 bits
B.Sunshine Superman
Single recorded in WAV 24 bits
-Bacchanal/The Look of Love US.Orig.Promo SKYE 454 Single (68)
